Wednesday, January 2, 2013

River of Smoke





Yet, another book from Amitav Ghosh which smells, breathes and depicts the environment so vividly that one sees all the plants, ships and rivers coming to life at every page.  It consists of the middle portion of the “Ibis trilogy” and like mid overs in a one day international cricket game it demands more from a reader than it demands in the start of the innings i.e. the first book “Sea of Poppies”.
                                                           I do not quite agree with the author when he says that one can read “River of Smoke” independent of the prequel. There must be a reason it is a trilogy. Introduction of a character long before he introduces himself in the story can get to your nerves before it unfolds the whole picture and everything false in place. It is like few strokes of an artist on a canvas making us anxious when we don’t know what he is going to paint, more so if the process is going to take a very long time. China our neighbor, which we Indians consider only as our enemy arouses reader’s curiosity as an ancient cultural and business centre where people from all corners of the earth come to gain wealth, respect  and other prospects. Hypocrisy of colonial powers and their contempt for other civilizations is as evident as it was in the prequel. Thorough research of hundreds of memoirs and other historical documents the author went through to throw light on lots of interesting historical and sociological facts is apparent . The fact that sugar is called Cheeni in India merely because it came from China amused me and that “Faltoo” as most commonly used slang in India has its roots in Portuguese word Falto wondered me.
                                                            Entrepreneurship shown by the Parsi community from the western coast of Indian even in the eighteenth and nineteenth century is portrayed in the customary style of the author. If Deeti is the chief protagonist in the Sea of Poppies, Bahram Modee is the anchor here. Barring one or two mentions of Ibis which gives a sense of nostalgia to the reader, the glory here belongs to “Anahita”, Seth Baharam Modee’s ship. The “Redruth”, on which Paulette sails with Fitcher and his plants play a supporting role in the book. Serang Ali, the lascar is replaced by one Zedig Bey from Armenia who has such knowledge and experience that he guides and informs both Seth Bahram Modie and Robin Chinnery. With less money and high moral authority he is trusted and believed by all who comes in contact. Mr. Dent and Mr. Slade are as obstinate as Mr. Burnham was in the previous work and Mr. King as warming as Zachary Reid.
                                                          Canton and the floating city come across as a dream where artists are producing colors in alleys and nurseries, copying miniatures and painting life size portraits of the rich Sahibs, parties are thrown where people are served too many culinary experiments for my knowledge as a vegetarian, boats differ from each other on the basis of their shape or the numbers of the masts. In the end, Opium influences each life whether directly or indirectly. It makes some rich, robs others of their life, it benefits those who take the responsibility only when it appeals to their circumstances. Opium is the wind where the story sails as in the case of Sea of Poppies but more so here.
                                                      The book is a must read for those who have read the first part. Those who have not should go for both. It may test your patience on some pages but in the end, sums it all good. Seven and half for it.